Tag Archives: Halle Berry

Review – Kingsman: The Golden Circle

After Kingsman HQ is destroyed, Eggsy (Taron Egerton) and Merlin (Mark Strong) have to call upon some extra help to find those behind the attack. Introducing Statesman, a sister organisation to Kingsman based in the U.S. They head over there, and it’s not long before a few surprising discoveries. First of all, they find Harry Hart (Colin Firth) alive and fairly well. They also learn that there’s a new criminal mastermind holding the world hostage, and, of course, it is their job to put a stop to that. The two sides come together in an effort to save the world and remain wonderfully stylish throughout.

Kingsman: The Golden Circle, a film we’ve all been looking forward to for quite some time, has finally arrived. Was it worth the wait? I’d say so. I thoroughly enjoyed my time watching it. It had all the fun and flair the first film had, and then some, plus a few extra bonuses as well.

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Ready Steady Cut EP55 – Reviews Round-Up – Atomic Blonde

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This is Episode 55 of the Ready, Steady, Cut! Podcast. On this episode, we do our reviews round-up and discuss movie releases we have watched from the 1st half of August. The headline review for this round-up is Atomic Blonde. All films that we review in this episode are spoiler-free. All the movies that we review are listed below.

Episode Breakdown:

00:00 – Intro and Round-Up Summary
Movie Reviews
03:07 – Kidnap 
10:59 – Valerian and the City of a Thousand Planets
23:16 – Icarus
34:20 – The Emoji Movie
44:20 – Naked
52:02 – Burning Sands
1:00:03 – Girls Trip
1:09:25 – Message from the King
Headline Reviews
1:15:55 – Atomic Blonde
1:25:37 – Final Comments

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Review – Kidnap

What’s this?

A perplexingly bad new thriller that follows Academy Award winner Halle Berry as she pursues her kidnapped son through Louisiana while talking, crying, screaming, whining and praying to herself in medium close-up for 90 agonising minutes. It is asinine, unabashed garbage, and made with such an absence of skill or dramatic consideration that the reliable incompetence of its writing, direction, editing and acting make for one of the most unintentionally hilarious puddles of genre slop I’ve seen all year.

Well, it is August. What’s it about?

Berry plays Karla Dyson, a single mother making ends meet by working a thankless job as a diner waitress. The diner, needless to say, feeds only rude and difficult clientele, and her son, Frankie (Sage Correa), frequently sits inside while he waits for her shift to end. This is, as far as I can tell, tantamount to child abuse. It’s no surprise then that Karla’s off-screen husband is divorcing her in favour of an upscale new squeeze, and while he’s at it he’d like Frankie full-time, thanks very much. While negotiating the terms of this arrangement in a local park, Frankie is snatched by a couple of scruffy, fat hicks, and bundled into the back of a teal Ford Mustang; Karla gives chase. This pursuit takes up most of the movie and is wonderful, laugh-a-minute stuff. Most of it is filmed an inch or two from Berry’s nose, which is far enough away to take in her bug-eyed, teeth-gnashing overreactions, but too close for the audience to see all the automotive mayhem that’s apparently happening outside the car. At one point Karla leaves the Chrysler to pursue the Mustang on foot, and this strikes me as perhaps the funniest movie moment of the year.

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