The Postcard Killings review – an outdated horror-thriller

March 29, 2020
M.N. Miller 2
Film, Film Reviews


At the very least, at the absolute minimum, The Postcard Killings confirms nothing good comes from an art-history degree.



At the very least, at the absolute minimum, The Postcard Killings confirms nothing good comes from an art-history degree.

When you think you couldn’t find another blustery, snow-filled, Scandinavian serial killer mystery picture than 2017’s The Snowman, here comes The Postcard Killings –– a horror-thriller that is so light on a good plot, so big on the needless filler, the only honest conclusion the adaptation of the James Patterson and Liza Marklund novel comes up with is that nothing good ever really comes out of having an education in art history.

The film star is Jeffrey Dean Morgan as the bullheaded New York City Detective Jacob Kanon, who gives an emotionally charged turn at times and travels through Europe chasing the serial killer who may or may not has murdered his daughter she’s missing when the film begins. Along the way, he enlists the help of a German Inspector (Run Lola Run’s Joachim Krol), a British detective (Luther’s Steven Macintosh), and an American journalist working for a Scandinavian newspaper (The Good Fight’s Cush Gumbo) to track down the killer who is hunting young couples in love throughout Europe. Famke Janssen is stuck in the traditional distraught mother role and has been little to do.

The Postcard Killings was directed by Danis Tanovic (Tigers) and adapted by Marklund and Ellan Furman (The Infiltrator). They had the makings of a competent horror-thriller but may be the victim of having too many cooks in the kitchen. While this is undoubted, by no means, trash cinema (see Bruce Willis’s Trauma Center), the film has its gratuitous moments. The plot, however, was influenced by a better film, one that’s marginally recommendable, called Switchback, a 1997 John McTiernan film starring Dennis Quaid that tracked two suspects (Danny Glover and Jared Leto) and kept you guessing who the killer was by the film’s end. Here, you have two couples in a subplot, and it’s rather apparent who they are; to top that off, they give away the secret too early. The film’s last half begins to explain the backstory on the motive, which is eye-rolling and even pompous.

The Postcard Killings also seems to have a disconnect between the film’s narrative and the script that may lie at the feet of its editing. You have several photographed scenes with weight or even greater importance that fall flat. For instance, when Morgan says goodbye to a colleague at the end of the film, attempting to show closure on a journey together that didn’t appear to intensify to that level at all during the story? Is that editing or filler? Well, there are plenty of those as well, with Morgan accosting an airline attendant about grabbing a flight without adding the motive behind his outburst, and they’re so needless it makes you think the film could have been finished in just under an hour.

The Postcard Killings can look handsome at times, with Morgan and Cumbo making a fine pair, and if anything, you have to admire the turn here by the veteran actor. You’ve rarely seen him like this in any movie or television show, wrought with anguish despair, with the film’s best scene coming around with Gumbo that is moving enough that you wish it could be saved for a better movie.

In the end, with the film’s by-the-numbers plot, absurd motivations for the killings that are kept together with so much fluffernutter, along with its humorous let’s-have-a-sequel ending, you will surely lose interest by the 5th time Morgan’s Kanon flashes his NYC Police badge in a half-dozen countries until you finally ask yourself why does that give him jurisdiction like an upgraded pass at Disney — it’s that kind of thriller.

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2 thoughts on “The Postcard Killings review – an outdated horror-thriller

  • April 4, 2020 at 12:51 am

    I really enjoyed this movie, it had suspense, a few twist and a fairly good cast. Not sure why people are so hard on giving good movies decent reviews. No wonder “less then great” movies are being made and put to theater because when good movies are made people are hung up on big budgets and effects then watching a movie that has you gripped to your seat. Has something like this been done before, maybe but who cares it was probably good too. There were no plot holes, everything tied together nicely. Only thing that bothered me was the cop looking bland always puffing his cigarette and maybe they could have cut Jeffreys crying scenes out as he wasn’t that good being emotional

  • July 17, 2021 at 6:51 am

    The subplot was very strange and took away from who the killers were.. There was no plot twist at all. The movie started with a guy and female with the guy having both arms tattooed that I thought were supposed to be the real killers but instead a very young straight looking couple is picked out as if it was obvious despite their cover-up being perfect. The story needed a plot twist to make it interesting and after awhile one gets tired of the whining of the detective chasing them. This movie could have been much shorter!

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