Articles by Alix Turner
Castle Freak review – reimagining a cult favourite
Having watched the new Castle Freak last night, and determined to write about it tonight, I keep finding myself distracted by looking into the source...
A Werewolf in England review – unpretentious romp through lycanthrope tropes
I loved Charlie Steeds’ Death Ranch when it came to Grimmfest last month, so discovering that A Werewolf in England had already hit the high...
Safe Spaces aka After Class review – study of privilege and communication, in the shape of a family drama
Having watched and enjoyed Echo Boomers recently, a crime story with a theme of generational conflict, it was especially interesting to find myself watching another...
Porno (Shudder) review – more character than Demons, but less exciting
Don’t you just love it when you find something old that’s been locked away, and accidentally unleash a demon? That’s essentially the scenario in Porno:...
Leap of Faith: William Friedkin on The Exorcist review – the director’s insights
Whether you have seen it or not, you probably know that The Exorcist is the stuff of legend. Rumour has it that watching it at...
Incision review – excuse me while I get scathing
Sometimes, I find my appreciation for a film increases while I’m writing about it, and I adjust the star rating accordingly. Incision was, I’m sorry...
Happy Endings (CineQ x SHOUT) review – queer shorts with a smile
After yesterday’s animated delights, I simply couldn’t resist this forty-minute programme of short films with a common theme of happy endings. As Denise Blackman shares...
Drawing from the Community (CineQ x SHOUT) review – queer animated shorts
Conscious that I’ve not been able to cover much from this festival, I thought I should pick at least one of the four programmes of...
Fox Hunt Drive review – night-time noir
I’ll keep this one short: Fox Hunt Drive, Drew Walkup’s directorial debut, is excellent. The story surprised me, the characters surprised me and the ending...
Song Lang (CineQ x SHOUT) review – subtle, sensitive, perfect drama
Song Lang stunned me. I confess I’d not got around to watching it for some time, but then its inclusion in the SHOUT programme (neatly...
The Retreat review – almost good
I like a good monster movie. Great, I thought, when I was offered the chance to review The Retreat: I like a bit of man-versus-nature,...
Lucky Grandma review – overturning genre tropes with thought and character
What struck me first about Lucky Grandma is that it is a rare film: American, yet nearly all the dialogue is in Mandarin. The titular...
Lingering aka Hotel Lake (Shudder) review – sumptuous atmosphere, rather than bloody revenge
If I start off by saying Lingering (known as Hotel Lake in most countries) is a South Korean horror, this is either going to excite...
Echo Boomers review – more drama than thriller with sharply written characters
I had the wrong expectation of Echo Boomers. The combination of pictures and plot summary led me to expect some blend of Money Heist and...
Queer Japan (CineQ x SHOUT) review – colourful and eye-opening
It’s easy to assume that LGBTQ+ issues, and how people respond to them, are the same everywhere; well, perhaps not assume, but rather not consider...
Synchronic: an interview with Aaron Moorhead and Justin Benson
One of the benefits of being a film-lover in this digital age is how many of the artists and performers we admire are accessible, within...
Sôseiji aka Gemini review – sublime, stylistic Japanese period thriller
If you are intrigued by the release of Gemini because of the name Shin’ya Tsukamoto, I should tell you straight away: this film is almost...
The Craft: Legacy review – another supernatural teen movie
Three young witches, Lourdes (Zoey Luna), Frankie (Gideon Adlon), and Tabby (Lovie Simone) welcome the new girl, Lily (Cailee Spaeny) in school to make up...
Honeydew (FrightFest 2020) review – backwoods horror with a hypnotic tone
I’m struggling to know where to begin with Honeydew: this feature debut from director Devereux Milburn is absolutely loopy, and I loved it. Rylie (Malin...
Origin Unknown aka Sin Origen (FrightFest 2020) review – Mexican standoff like no other
Sin Origen (known as Origin Unknown or Unsourced in some countries) opens with a head cleanly cut off, rolling towards the viewer. Stylized sword fighting...