RoleHorror Writer
LocationCoventry, Warwickshire
ExpertiseHorror, Film Festivals, Film Critiquing, Independent Movies, Rotten Tomatoes Approved
Contribution313 articles published since May 2021

Alix Turner

Alix joined Ready Steady Cut back in 2017 and has written over 400 articles for the publication. With a love for horror after attending various genre festivals, Alix quickly became an experienced film writer, joining the writing teams at websites such as Horror Obsessive, Ghouls Magazine, and Filmotomy.

It was not long before Alix deservedly became a Rotten Tomatoes Approved Critic after rising through the ranks and interviewing many film professionals in the industry. Alix loves attending horror festivals and regularly visits the Mayhem Film Festival and Soho Horror Fest.

Films are Alix’s favorite hobby, and they especially enjoy sharing their perspectives and favorite movies with their teenage daughter.

Articles by Alix Turner

Castle Freak review – reimagining a cult favourite

November 25 2020

Having watched the new Castle Freak last night, and determined to write about it tonight, I keep finding myself distracted by looking into the source...

A Werewolf in England review – unpretentious romp through lycanthrope tropes

November 24 2020

I loved Charlie Steeds’ Death Ranch when it came to Grimmfest last month, so discovering that A Werewolf in England had already hit the high...

Safe Spaces aka After Class review – study of privilege and communication, in the shape of a family drama

November 23 2020

Having watched and enjoyed Echo Boomers recently, a crime story with a theme of generational conflict, it was especially interesting to find myself watching another...

Porno (Shudder) review – more character than Demons, but less exciting

November 23 2020

Don’t you just love it when you find something old that’s been locked away, and accidentally unleash a demon? That’s essentially the scenario in Porno:...

Leap of Faith: William Friedkin on The Exorcist review – the director’s insights

November 21 2020

Whether you have seen it or not, you probably know that The Exorcist is the stuff of legend. Rumour has it that watching it at...

Incision review – excuse me while I get scathing

November 17 2020

Sometimes, I find my appreciation for a film increases while I’m writing about it, and I adjust the star rating accordingly. Incision was, I’m sorry...

Happy Endings (CineQ x SHOUT) review – queer shorts with a smile

November 16 2020

After yesterday’s animated delights, I simply couldn’t resist this forty-minute programme of short films with a common theme of happy endings. As Denise Blackman shares...

Drawing from the Community (CineQ x SHOUT) review – queer animated shorts

November 15 2020

Conscious that I’ve not been able to cover much from this festival, I thought I should pick at least one of the four programmes of...

Fox Hunt Drive review – night-time noir

November 13 2020

I’ll keep this one short: Fox Hunt Drive, Drew Walkup’s directorial debut, is excellent. The story surprised me, the characters surprised me and the ending...

Song Lang (CineQ x SHOUT) review – subtle, sensitive, perfect drama

November 12 2020

Song Lang stunned me. I confess I’d not got around to watching it for some time, but then its inclusion in the SHOUT programme (neatly...

The Retreat review – almost good

November 11 2020

I like a good monster movie. Great, I thought, when I was offered the chance to review The Retreat: I like a bit of man-versus-nature,...

Lucky Grandma review – overturning genre tropes with thought and character

November 10 2020

What struck me first about Lucky Grandma is that it is a rare film: American, yet nearly all the dialogue is in Mandarin. The titular...

Lingering aka Hotel Lake (Shudder) review – sumptuous atmosphere, rather than bloody revenge

November 9 2020

If I start off by saying Lingering (known as Hotel Lake in most countries) is a South Korean horror, this is either going to excite...

Echo Boomers review – more drama than thriller with sharply written characters

November 9 2020

I had the wrong expectation of Echo Boomers. The combination of pictures and plot summary led me to expect some blend of Money Heist and...

Queer Japan (CineQ x SHOUT) review – colourful and eye-opening

November 8 2020

It’s easy to assume that LGBTQ+ issues, and how people respond to them, are the same everywhere; well, perhaps not assume, but rather not consider...

Synchronic: an interview with Aaron Moorhead and Justin Benson

November 6 2020

One of the benefits of being a film-lover in this digital age is how many of the artists and performers we admire are accessible, within...

Sôseiji aka Gemini review – sublime, stylistic Japanese period thriller

November 3 2020

If you are intrigued by the release of Gemini because of the name Shin’ya Tsukamoto, I should tell you straight away: this film is almost...

The Craft: Legacy review – another supernatural teen movie

October 30 2020

Three young witches, Lourdes (Zoey Luna), Frankie (Gideon Adlon), and Tabby (Lovie Simone) welcome the new girl, Lily (Cailee Spaeny) in school to make up...

Honeydew (FrightFest 2020) review – backwoods horror with a hypnotic tone

October 25 2020

I’m struggling to know where to begin with Honeydew: this feature debut from director Devereux Milburn is absolutely loopy, and I loved it. Rylie (Malin...

Origin Unknown aka Sin Origen (FrightFest 2020) review – Mexican standoff like no other

October 25 2020

Sin Origen (known as Origin Unknown or Unsourced in some countries) opens with a head cleanly cut off, rolling towards the viewer. Stylized sword fighting...