RoleSenior Horror Writer
LocationCoventry, Warwickshire
ExpertiseHorror, Film Festivals, Film Critiquing, Independent Movies, Rotten Tomatoes Approved
Contribution313 articles published since May 2021

Alix Turner

Alix joined Ready Steady Cut back in 2017 and has written over 300 articles for the publication. With a love for horror after attending various genre festivals, Alix quickly became an experienced film writer, joining the writing teams at websites such as Horror Obsessive, Ghouls Magazine, and Filmotomy.

It was not long before Alix deservedly became a Rotten Tomatoes-approved critic after rising through the ranks and interviewing many film professionals in the industry. Alix loves attending horror festivals and regularly visits the Mayhem Film Festival and Soho Horror Fest.

Films are Alix’s favorite hobby, and they especially enjoy sharing their perspectives and favorite movies with their teenage daughter.

Articles by Alix Turner

The Funeral Home aka La Funeraria (FrightFest 2020) review – a different kind of haunted house film

October 25 2020

The atmosphere is everything in La Funeraria (known as The Funeral Home or The Undertaker’s Home in some countries). Right from the start, with the...

Let’s Scare Julie (FrightFest 2020) review – better than I expected

October 24 2020

I enjoyed Let’s Scare Julie a lot more than I expected. The publicity information gave the impression of a modern story about inane bimbos and...

Dune Drifter (FrightFest 2020) review – low budget action sci-fi that made me want more

October 24 2020

Several years ago, the horror film festival world fell for Colin, the micro-budget zombie film. Last year, Nightshooters had us jumping and laughing equally. This...

Broil (FrightFest 2020) review – twisted supernatural drama that wants to be cool

October 24 2020

Broil is an odd one. Directed by Edward Drake and written by Drake with Piper Mars, it doesn’t seem to know whether it’s about the...

For the Sake of Vicious (FrightFest 2020) review – great action, sketchy writing

October 24 2020

Films with two distinct halves can be tricky: Will the pace be maintained? Will the story make sense? Will the audience still know who to...

The World We Knew (FrightFest 2020) review – spellbinding blend of crime and creepy

October 24 2020

Nearly thirty years ago, I watched a film by a brand new director about gangsters regrouping after a job gone wrong, with glimpses of the...

Dangerous to Know (FrightFest 2020) review – too long, too slow, too familiar

October 22 2020

Dangerous to Know is a wannabe noir thriller, styled after the director’s David Fincher favorites. David Simpson – better known as a sci-fi novelist –...

The Brain that Wouldn’t Die (FrightFest 2020) review – a sci-fi horror that refuses to die

October 22 2020

I must confess I hadn’t come across the 1960s sci-fi horror The Brain that Wouldn’t Die until I heard that a satirical homage-style remake was...

Held (FrightFest 2020) review – love in the time of lockdown

October 22 2020

In Held, we meet Emma and Henry Barrett (Jill Awbrey and Bart Johnson), a couple whose marriage has clearly hit a rocky patch after nine...

Synchronic review – their latest and biggest film, but not the best

October 19 2020

Synchronic is a film that I’ve been looking forward to since I first heard about it just over eighteen months ago, infatuated as I am...

Saint Maud second opinion – saviour of British horror cinema?

October 14 2020

The long-anticipated Saint Maud is one of the best new horror films I’ve seen this year; and in case you didn’t know, I’ve seen a...

Chop Chop review – sorely unfulfilled potential

October 14 2020

Chop Chop, the directorial debut from Rony Patel, opens with police on the lookout for a killer who likes to remove his victims’ heads. We...

The Oak Room review – the art of storytelling in noir thriller form

October 14 2020

When I watched Blue & Malone with my son the other day, he asked me why it was included in a horror film festival programme....

Rent-A-Pal review – a compelling look at loneliness in thriller form

October 11 2020

Rent-A-Pal is odd, no getting away from that. I like and admire odd films, but figured it’s best to warn you: although it’s billed as...

The Unhealer review – dark teen sci-fi horror, Arizona style

October 10 2020

I came to The Unhealer for Lance Henriksen and Natasha Henstridge, and I stayed for the story. The core of the plot – tables being...

H.P. Lovecraft’s the Deep Ones review – not terribly deep, actually

October 10 2020

I’m afraid I don’t have much to say about The Deep Ones. Written and directed by Chad Ferrin, inspired by the writings of H.P. Lovecraft…...

An Ideal Host review – Australian horror-comedy that actually delivers both

October 9 2020

Don’t you just hate it when you plan the perfect evening, but then someone you didn’t invite – deliberately – turns up with one of...

Unearth review – ecological horror set in the real world and the one below

October 8 2020

Unearth presents two established farming families, colleagues for generations, though now both struggling. The Dolan family, led by Kathryn (Adrienne Barbeau, The Fog), sees some...

The Special review – a very grown-up and thought-provoking horror

October 8 2020

I’m not sure why, but I was expecting something a bit like Society when I read the description “Fatal Attraction meets The Blob”, as The...

Alone review – I wish there weren’t so many films like this, but this is a good one

October 7 2020

With a trailer full of everything, ready for a fresh start following the death of her husband, Jessica finds herself first aggravating a gruff stranger...