Jonathon Wilson

Monsters are supposed to be scary, which is something that, in large part, hasn’t really been considered by the MonsterVerse. Giant and awesome? Sure. But...

When it was revealed that Season 2 of The Pitt was going to be set on the Fourth of July, everyone envisioned a lot of firework-related nastiness. In Episode 9, over halfway through the season, we finally get some of that. But it’s the least of anyone’s problems in PTMC.

The medical drama landscape has changed so much since Scrubs torpedoed its own reputation by trying to carry on past its sell-by date that it’s easy to imagine there’s no place for it in 2026. But if this reboot is proving anything, it’s that we perhaps shouldn’t be so hasty.

Let’s be frank here – some, most, or indeed all of the ending of Vladimir could very well be a lie. It’s a possibility, is...

Vladimir might be the best TV show of the year thus far. It’s a big claim, that, but I think it’s quite defensible. Truly adult...

I can’t say I’m surprised by the ending of The Beauty, but it’s nonetheless lamentable to see the state of things in 2026, where stories...

As seems fitting for a show in this universe, Young Sherlock has quite the mystery to unpack. As if conspiracies winding all the way through...

Guy Ritchie’s Sherlock Holmes movies had their detractors, but there was something about his zinging, slightly smug filmmaking style that suited the character, and it’s...

Cross has sometimes given the impression in Season 2 that it thinks its twists are a bit more interesting than they actually are. Not that most of what is revealed in Episode 6 necessarily constitutes a twist, which is kind of the problem.

As well as being the ending — obviously — of Hijack Season 2, “Terminal” plays out like a bit of a reassurance that there won’t be a...

Shrinking isn't about death, per se, but it's certainly rather attached to the idea. It occurs to me that we're in Season 3 now, and none of the core cast has been killed off in any way, even the ones that have come close a few times, so perhaps the fake-out trick is wearing thin.

I’ve long held a personal theory that DMV is much better when it isn’t focusing on Colette, and Episode 11, “Power Shift”, makes me feel...

Assassins are usually a death sentence for other people, but Memory of a Killer takes the bold step in Episode 6 of confirming what we...

I can’t say that Arthur Tobin’s film about — all together now — The Fall and Rise of Reggie Dinkins will be any good, but in...

Watson has always had a fairly detectable medical-mystery pattern, so it was perfectly fair to imagine that Season 2’s mid-season premiere would really embrace that...

John Dutton died, and then Yellowstone itself died shortly after him, but that doesn’t mean that Taylor Sheridan was ever going to leave the neo-Western...

There's a peculiar feeling you get when you know something awful is going to happen, but can't quite put a finger on it. There's probably some complex evolutionary explanation, a biological early-warning system that can detect dread in the atmosphere. Among its many other achievements, Paradise has managed to weaponise this feeling.

At first blush, DTF St. Louis is a show you've seen before. The HBO murder-mystery is about three people circling the drain of a sexless middle age, and one of them turns up dead, casting the other two in suspicion. It isn't the most unique of elevator pitches.

Industry Season 4 was never going to have a happy ending, since happiness doesn’t exist in or indeed anywhere near this show. How can it? It’s...

If nothing else, American Classic has a love for theatre in its very bones. It’s probably worth pointing this out, since so many shows are about things only cursorily, as a way to excuse the character-driven story really being told. At least in its two-part premiere (Episodes 1 and 2 of the eight-part MGM+ series dropped together), American Classic is the exact opposite.