Articles by Aaron Farrell
Apocalypse Now (1979) Review
Our motto: Apocalypse Now. No this isn’t the tagline for Brexiteers and Trump supporters’ ongoing campaign for fascistic values, it is the integrated title card...
Midsommar Review: The Promise Of Pandora’s Box Opens to Blood-Soaked Flowers Wilted Before Their Bloom
Seeing as the word ‘festival’ derives from the Latin for feast, and Midsommar is about a 9-day festival during the Swedish summer solstice, the film...
Too Old To Die Young Review: A Neon-Noir Skewering Of The American Nightmare
This review of Too Old To Die Young is spoiler-free A TV series that isn’t a TV series had a Cannes premiere and has hacked...
High Life Review: A Tantalisingly Conceived But Essentially Barren Paternal Sci-Fi Journey
In High Life, Monte (Robert Pattinson) and his baby daughter, Willow (Scarlett Lindsay), are the last survivors aboard a cubic spaceship hurtling away from earth....
Under the Silver Lake Review – An Unapologetic Oxymoron of a Film
The bland existence of jobless Sam (Andrew Garfield) is interrupted when he spies the mysterious beauty Sarah (Riley Keough) swimming in the communal apartment pool....
‘Love, Death & Robots’ Season 1, Episode 10 Recap – What Happened In “Shape-Shifters”?
Photorealist animation of individual facial hairs and sweating pores, and an apparent real-world Afghanistan war-zone introduce “Shape-Shifters” as grounded and gritty (in the contemporary sense...
‘Love, Death & Robots’ Season 1, Episode 9 Recap – What Happened In “The Dump”?
The Dump’s devil (this short is a comedy-horror) is in the details. Teetering towers of junk lean crooked, barely able to stand, like Ugly Dave...