RoleStaff Writer
LocationTenerife, Island of the Canary Islands
ExpertiseFilm Criticism, Creative Writing, Novelist
Contribution7 articles published since June 2025

Aaron Farrell

Aaron Farrell, a 34-year-old Welsh writer, began contributing to Ready Steady Cut in 2018, focusing on arthouse film criticism and essays exploring film history, language, and socio-political themes. A curious and dedicated individual passionate about philosophy, faith, and society, Aaron counts Alien, Blade Runner, The Thing, The Big Lebowski, Superbad, The Dark Knight, and Tarantino’s films as annual must-watches.

After working as a youth support worker, English teacher, and personal trainer, Aaron earned a First-Class degree in Creative and Professional Writing from Bangor University. He’s a versatile writer, serving as a film and theatre critic, culture columnist, travel writer, novelist, poet, magazine editor/founder (Cape Magazine), and publishing house editor/founder (Atomic Bohemian). He’s self-published a novel and poetry collection, contributed to various outlets, and is working on a second novel and poetry collection with themes of fatherhood and marriage.

Aaron writes travel pieces for Adventureinyou.com, film criticism for nation.cymru, and a culture column, Violent Expression, for V13.net.

His motto: “Has Pen, Will Write.” Unofficially: “Have Bills, Will Work.”

Articles by Aaron Farrell

Apocalypse Now (1979) Review

August 24 2019, by Aaron Farrell

Our motto: Apocalypse Now. No this isn’t the tagline for Brexiteers and Trump supporters’ ongoing campaign for fascistic values, it is the integrated title card...

Midsommar Review: The Promise Of Pandora’s Box Opens to Blood-Soaked Flowers Wilted Before Their Bloom

July 6 2019, by Aaron Farrell

Seeing as the word ‘festival’ derives from the Latin for feast, and Midsommar is about a 9-day festival during the Swedish summer solstice, the film...

Too Old To Die Young Review: A Neon-Noir Skewering Of The American Nightmare

July 5 2019, by Aaron Farrell

This review of Too Old To Die Young is spoiler-free A TV series that isn’t a TV series had a Cannes premiere and has hacked...

High Life Review: A Tantalisingly Conceived But Essentially Barren Paternal Sci-Fi Journey

May 22 2019, by Aaron Farrell

In High Life, Monte (Robert Pattinson) and his baby daughter, Willow (Scarlett Lindsay), are the last survivors aboard a cubic spaceship hurtling away from earth....

Under the Silver Lake Review – An Unapologetic Oxymoron of a Film

March 19 2019, by Aaron Farrell

The bland existence of jobless Sam (Andrew Garfield) is interrupted when he spies the mysterious beauty Sarah (Riley Keough) swimming in the communal apartment pool....

‘Love, Death & Robots’ Season 1, Episode 10 Recap – What Happened In “Shape-Shifters”?

March 15 2019, by Aaron Farrell

Photorealist animation of individual facial hairs and sweating pores, and an apparent real-world Afghanistan war-zone introduce “Shape-Shifters” as grounded and gritty (in the contemporary sense...

‘Love, Death & Robots’ Season 1, Episode 9 Recap – What Happened In “The Dump”?

March 15 2019, by Aaron Farrell

The Dump’s devil (this short is a comedy-horror) is in the details. Teetering towers of junk lean crooked, barely able to stand, like Ugly Dave...