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Murder in a Small Town doesn’t suit the cliffhanger ending, does it?

Just in case you were wondering whether DMV itself is aware of how annoying Colette is, Episode 8 has you covered.

I’m not the biggest fan of Watson, as anyone who has been reading these Season 2 recaps can probably tell, but I’m happy to admit...

What do you get when you take a show about mindless excess and complete, weaponised vacuity, and then have everyone in it suddenly realise that they want to do something meaningful with their lives?

If you ever wanted concrete proof that The Chair Company is not like other shows, then look no further than its ending — if you...

I was going to start this recap by saying that things aren’t looking too good in It: Welcome to Derry, but now that I think about it, that’s only a matter of perspective.

When it’s firing on all cylinders, Sheriff Country is a superb procedural, as evidenced by its previous outing.

It definitely feels like Boston Blue is learning. Like the previous episode, which for the first time attempted to meaningfully challenge almost all of its characters, Episode 6, “Code of Ethics”, throws in a few new wrinkles, especially for Danny and Baez.

Unpopular opinion though it might be, I think Mayor Christie Holman has been my favourite character in Murder in a Small Town Season 2.

It would be a bit of a stretch to say that the East Hollywood DMV office has ever really felt like a team. It’s a designation that most of the employees would actively avoid in usual circumstances, but Episode 7 of the CBS sitcom, “There Is No I in DMV”, is not operating under usual circumstances.

Just in case you needed any more evidence that Watson works best as a straight-up medical drama that has nothing to do with Sherlock Holmes, look no further than “Giant Steps”, which is, by my count, the first and thus far only genuinely good episode of Season 2.

Ron did it. He finally found out what Tecca is up to. And, as predicted, Tecca are up to something.

Networking is a deliberately nebulous word, one typically used as an excuse for getting drunk with people whose company you stand to benefit from in one way or another.

It: Welcome to Derry has held off on leveraging the iconic smirking visage of Bill Skarsgård’s bulbous-headed Pennywise the Clown.

Talamasca: The Secret Order has one of those endings. You know the kind I mean. Episode 6 – in hindsight, six episodes were nowhere near...

Since DMV started, I’ve complained pretty consistently about the focus on Colette and the one-note mode the character generally operates in.

It’s pretty uncontroversial to describe John Watson as a bit of a do-gooder.

I know I’m always moaning about this show for reasons that it sometimes can’t even help, but “Masterpiece” – a provocative title in itself, I think – doesn’t really feel like Murder in a Small Town, you know what I mean?