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The Night Manager has spent most of Season 2 trying to redo the events of Season 1, albeit with some key exceptions. One of those...

It’s always daddy issues, isn’t it? Since The Hunting Party deals with the psychology of killers, it’s kind of unavoidable that parental problems will frequently...

Spartacus: House of Ashur, after a week off, returns to the sands of the arena and, of course, provides a mandatory late-game character death to...

The secret to The Pitt – or, more accurately, one of several secrets, but arguably the most important – is realism. Case in point: There’s...

You can never quite predict what Ryan Murphy is going to do next, and by extension, whether his latest project will be representative of his...

How many people can you see explode before it starts to get tedious? I do worry that The Beauty might be leaning a little too heavily against this gimmick, since Episode 3, “Beautiful Christopher Cross”, opens in much the same way as the premiere, with a woman getting very thirsty and violent before eventually combusting in the middle of a crowded restaurant.

In Episode 2, “Beautiful Jordan”, The Beauty gives us our first glimpse of the villain of the piece, played by Ashton Kutcher. It also turns into John Wick for a good chunk of the very clipped 25-minute runtime, which is an interesting stylistic choice.

The Beauty might have the most Ryan Murphy opening ever. Here’s a supermodel on the runway, looking great. But also looking a little off-kilter. It’s a believable model performance because it’s Bella Hadid, a casting coup a bit like Kim Kardashian starring in a legal drama.

High Potential is an above-average procedural at the best of times, and that has been evident pretty regularly in Season 2. But only rarely does it come together in quite the way it does in Episode 10, “Grounded”, a really excellent hour that neatly embodies all of the interesting and unique things this show does well.

It’s difficult to tell whether A Knight of the Seven Kingdoms is for Game of Thrones fans who are still smarting about how badly it...

Blimey, where to start? Industry doesn't do episodes like "The Commander and the Grey Lady" very often, since it's usually too firmly rooted in the real world -- albeit the grimmest corners of it -- to indulge in visions and metaphor.

Let's be totally clear here -- despite being set in the same brutal universe, A Knight of the Seven Kingdoms really is nothing like Game of Thrones. And that's a good thing!

After three episodes of The Night Manager’s second season gradually morphing back into its first, Episode 4 makes that cycle of renewal feel complete.

I’ve always said that The Hunting Party does a good job of coming up with eerie concepts for its killers, and I’m glad to see this hasn’t diminished in Season 2.

If there’s anything The Pitt consistently makes me think about – and, to be clear, it generally makes me think about a lot of different things, not least “is that a prosthesis?!” – it’s how hospitals are even able to run at all. The intake is never-ending.

Good news! I think Episode 2 of Best Medicine is definitely better than the premiere, which is a good sign.

As predicted, High Potential Season 2 has returned to its standard case-of-the-week procedural format, with most of Episode 9, “Under the Rug”, proceeding as if the events of the solid second half of the art thief two-parter never happened.

Guys, Brilliant Minds Season 2 might have peaked already. It was always going to be a tall order for Episode 12 to compete with one of the better outings in the show's history, but "The Rider" feels like a bit of a regressive step all the same, lacking the raw emotional sentiment of its immediate predecessor and a lot of the compelling overarching storytelling that has been threaded throughout the season.