Movie Reviews

Movie reviews are our specialty and passion. We deliver ratings and insights on films of all genres and sizes—from blockbuster hits to independent gems and streaming platform originals. Here is our extensive collection of reviews where we give our final opinion on many movies.

We also do TV Reviews too.

Stuck Apart review – existential crises really are boring

January 8 2021, by Daniel Hart

This review of Netflix film Stuck Apart contains no spoilers. The drama was released on the streaming service on January 8, 2021. Coming on the...

Charming review – charmless, cutscene animation

January 8 2021, by M.N. Miller

Netflix has become a charity by subsidizing bad films for studios. They are responsible for the distribution rights in the United States of the animated...

Butchers review – plays around with backwood tropes but achieves nothing new

January 8 2021, by Alix Turner

One word film titles can be tricky: the word really needs to sum up either the subject or the mood of the film. I expected...

Herself review – a resilient and empowering performance by Clare Dunne

January 8 2021, by M.N. Miller

There is something plaintively real and uncinematic about the opening scene of Herself, the new Amazon Prime Video film. A thirty-something mother is dancing around...

Happy Face: La tyrannie de la beauté review – a drama about people and appearances

January 6 2021, by Alix Turner

After my most recent reviews of thought-provoking films, I had planned to get back to some escapist horror. Despite that, I pressed play on Happy...

Ser du månen, Daniel review – putting lockdown into perspective

January 4 2021, by Alix Turner

In 2013, Daniel Rye Ottosen (called Daniel Rye in the film) was just starting out as an assistant to a journalistic photographer, having had his...

The Taste of Tea review – refreshing and uplifting

January 4 2021, by Alix Turner

Sometimes, I look forward to a film for months, and when I watch it, find myself disappointed. Sometimes, I don’t get around to watching something...

Børning 3: Asphalt Burning review – absolute garbage

January 2 2021, by Jonathon Wilson

Well, it certainly didn’t take long for Netflix to give its many detractors some ammunition this year. On just the second day of a new...

Shadow in the Cloud review – a genre mash-up that just about stays airborne

January 1 2021, by Jonathon Wilson

There’s something to be said for bonkers genre movies that seem to make a conscious effort to be nuttier than a squirrel’s fart, and that’s...

What Happened to Mr Cha? review – a satire that can’t get out of its own way

January 1 2021, by Jonathon Wilson

This review of What Happened to Mr Cha? is spoiler-free. Korean comedy What Happened to Mr. Cha? is the directorial debut of Kim Dong-kyu, and...

The Minimalists: Less Is Now review – is this the time to start letting things go?

January 1 2021, by Jonathon Wilson

The word of the day is “stuff”. We all have too much of it. And how much stuff do we really need? This is the...

Deliver Us from Evil review – a quality Korean action thriller

December 31 2020, by Alix Turner

Action films from Asia, most notably Hong Kong and South Korea, tend to be high quality productions, full of energy and dramatic fight scenes. Deliver...

Host review – Zoom seance lockdown horror

December 30 2020, by Louie Fecou

Host is only 56 minutes long, so it feels odd calling it a movie. It is really more like an episode of Black Mirror, if...

Cops and Robbers review – undeniably beautiful and powerful

December 30 2020, by M.N. Miller

This review of Cops and Robbers (Netflix) is spoiler-free. Timothy Ware Hill’s beautifully animated short film has landed on the streaming giant Netflix and it...

Minari review – the most American film in years

December 28 2020, by M.N. Miller

Let’s get one thing straight — Lee Isaac Chung’s Minari is an American movie. Yes, most of it is spoken in Korean. So what? This...

The Father review – a work of empathic genius

December 27 2020, by M.N. Miller

There are very few film experiences like Florian Zeller’s The Father. He has made a film, based on his play, that has cleverly communicated the...

We Can Be Heroes review – inclusive, earnest family fun

December 26 2020, by Jonathon Wilson

Written and directed by Robert Rodriguez and released on Netflix on Christmas Day, which is obviously the best time for such a thing, We Can...

The Stand In review – the worst film of the year

December 26 2020, by M.N. Miller

  There aren’t enough words for how indescribably bad Drew Barrymore’s The Stand In is. It is bad, so very bad. Atrocious, brackish, hackneyed, insipid,...