Movie Reviews

Movie reviews are our specialty and passion. We deliver ratings and insights on films of all genres and sizes—from blockbuster hits to independent gems and streaming platform originals. Here is our extensive collection of reviews where we give our final opinion on many movies.

We also do TV Reviews too.

The World We Knew (FrightFest 2020) review – spellbinding blend of crime and creepy

October 24 2020, by Alix Turner

Nearly thirty years ago, I watched a film by a brand new director about gangsters regrouping after a job gone wrong, with glimpses of the...

Babysitter Must Die (Frightfest 2020) review – a fun home invasion slasher

October 23 2020, by Jonathon Wilson

Babysitter Must Die is a horror movie from director Kohl Glass who previously bought us You May Now Kill the Bride. Starring Sneaky Pete’s Riley...

Breeder (Frightfest 2020) review – a brutal onslaught

October 23 2020, by Jonathon Wilson

Breeder is a Danish horror movie from director Jens Dahl of 3 Things, starring TV Rita’s Sara Hjort Ditlevsen, Valerian and the City of a...

Woman of the Photographs (FrightFest 2020) review – a beautiful reflection of obsession

October 23 2020, by Jonathon Wilson

Woman of the Photographs is a Japanese film and the feature debut from director Takeshi Kushida, starring a relatively unknown cast of Hideki Nagai, Itsuki...

Dangerous to Know (FrightFest 2020) review – too long, too slow, too familiar

October 22 2020, by Alix Turner

Dangerous to Know is a wannabe noir thriller, styled after the director’s David Fincher favorites. David Simpson – better known as a sci-fi novelist –...

The Brain that Wouldn’t Die (FrightFest 2020) review – a sci-fi horror that refuses to die

October 22 2020, by Alix Turner

I must confess I hadn’t come across the 1960s sci-fi horror The Brain that Wouldn’t Die until I heard that a satirical homage-style remake was...

Cadaver review – an underwhelming, class-conscious Norwegian chiller

October 22 2020, by Jonathon Wilson

What’s this? Another Netflix international horror-thriller-thing built around a rather unsubtle class-division metaphor like The Platform? Check! But it’s also a couple of other things,...

Held (FrightFest 2020) review – love in the time of lockdown

October 22 2020, by Alix Turner

In Held, we meet Emma and Henry Barrett (Jill Awbrey and Bart Johnson), a couple whose marriage has clearly hit a rocky patch after nine...

Redwood Massacre: Annihilation review – a bigger and bloodier sequel

October 20 2020, by Jonathon Wilson

Redwood Massacre: Annihilation is directed by David Ryan Keith who returns to bring us the second part in his slasher world, starring scream queen Danielle...

Synchronic review – their latest and biggest film, but not the best

October 19 2020, by Alix Turner

Synchronic is a film that I’ve been looking forward to since I first heard about it just over eighteen months ago, infatuated as I am...

Pixie review – Quentin Tarantino does Father Ted

October 16 2020, by Louie Fecou

Pixie is a comedy thriller set in Ireland, directed by Barnaby Thompson and written by Preston Thompson. It follows Pixie, go-getting and ruthless, and her...

Rooting for Roona review – a powerful and important original documentary

October 15 2020, by Jonathon Wilson

In just 41 minutes, Rooting for Roona reaffirmed my faith in humanity. It reminded me that for all its faults, modern technology can be a...

A Babysitter’s Guide to Monster Hunting Review – low-effort family spooks

October 15 2020, by Jonathon Wilson

Should monsters be cute? I suppose it depends. The colourful critters in Netflix’s new on-trend family film A Babysitter’s Guide to Monster Hunting certainly are,...

Saint Maud second opinion – saviour of British horror cinema?

October 14 2020, by Alix Turner

The long-anticipated Saint Maud is one of the best new horror films I’ve seen this year; and in case you didn’t know, I’ve seen a...

Chop Chop review – sorely unfulfilled potential

October 14 2020, by Alix Turner

Chop Chop, the directorial debut from Rony Patel, opens with police on the lookout for a killer who likes to remove his victims’ heads. We...

The Three Deaths of Marisela Escobedo review – third time’s the charm

October 14 2020, by Jonathon Wilson

If there’s one thing you can rely on Netflix for it’s true-crime and a consistent depiction of Mexico as a lawless frontier. After the incredible...

The Oak Room review – the art of storytelling in noir thriller form

October 14 2020, by Alix Turner

When I watched Blue & Malone with my son the other day, he asked me why it was included in a horror film festival programme....

Rent-A-Pal review – a compelling look at loneliness in thriller form

October 11 2020, by Alix Turner

Rent-A-Pal is odd, no getting away from that. I like and admire odd films, but figured it’s best to warn you: although it’s billed as...