Movie Reviews

Movie reviews are our specialty and passion. We deliver ratings and insights on films of all genres and sizes—from blockbuster hits to independent gems and streaming platform originals. Here is our extensive collection of reviews where we give our final opinion on many movies.

We also do TV Reviews too.

Oloture review – gritty, realistic and tragic

October 2 2020, by Daniel Hart

This review of Netflix film Oloture contains no spoilers. The drama was released on the platform on October 2, 2020. As a disclaimer, Oloture is not...

You’ve Got This review – a romantic comedy that respects compromises

October 2 2020, by Daniel Hart

This review of Netflix film You’ve Got This contains no spoilers. The romantic comedy came out on the streaming service on October 2, 2020. I’m...

The Binding (2020) review – dullness murks the relationships between characters

October 2 2020, by Daniel Hart

This review of Netflix film The Binding contains no spoilers. The horror came out on the streaming service on October 2, 2020. There’s not a...

The Curse of Audrey Earnshaw AKA Blood Harvest review – beautiful but frustrating period horror

October 2 2020, by Alix Turner

Religion and distrust are the staple ingredients of The Curse of Audrey Earnshaw, written and directed by Thomas Robert Lee (Empyrean). There’s more to it...

Tailgate aka Bumperkleef review – impressive, rather than enjoyable

October 1 2020, by Alix Turner

Tailgate (or Bumperkleef in its native Netherlands) is a tale of Hans, who dares to provoke Ed on a busy road while driving too fast...

The Boys in the Band review – a lesser version of a ground-breaking drama

October 1 2020, by Jonathon Wilson

There’s such a storied history behind Mart Crowley’s play The Boys in the Band, which celebrated its 50th anniversary with a Broadway production following its...

Mass Hysteria review – plenty of substance to this short comedy horror

October 1 2020, by Alix Turner

Page (Geena Santiago) is the lead actor in a small community theatre production in Salem, which is dedicated to showing tourists the true story of...

American Murder: The Family Next Door Review – A Hauntingly Personal True-Crime Story

September 30 2020, by Jonathon Wilson

On balance, I probably review more true crime than any other genre, which is usually an uncomfortable task. There’s something voyeuristic and rubber-necky about the...

Daddy’s Girl review – more character and plot than violence

September 30 2020, by Alix Turner

In Daddy’s Girl, Zoe has been held virtually captive by her stepfather since her mother died about twelve years earlier. He abuses, torments, and controls...

Death of Me review – looks great, feels creepy, but inherently a bit wrong

September 29 2020, by Alix Turner

When I had the opportunity to review the new film directed by Darren Lynn Bousman, I jumped at it: I’m a fan of the Saw...

Becky review – don’t say I didn’t warn you

September 28 2020, by Alix Turner

The opening few minutes of Becky are brilliant: we watch a father and daughter heading out for a bonding weekend in the country, cut with scenes of...

Black Lake review – musical poem about pain and justice in the form of a beautiful horror film

September 25 2020, by Alix Turner

I’m familiar with vengeful female spirits from Korean and Japanese cinema, though hadn’t come across the “churail” until reading about and now watching Black Lake....

The Secret Society of Second Born Royals review – Disney’s toff teen super-team isn’t worth joining

September 25 2020, by Jonathon Wilson

There are two things that always come up in discussions of Disney’s increasing monopolization of the entertainment industry – superheroes and money. This shouldn’t come...

The Nest review — perhaps the first Covid-19/quarantine film without knowing it

September 23 2020, by M.N. Miller

Director Sean Durkin stated in an interview when he makes a film he explores things that scare him so he can confront them. His debut...

The Bay of Silence review — a poorly misguided #MeToo thriller

September 22 2020, by M.N. Miller

The real enigma behind this morose mystery, The Bay of Silence, is how the script made it from page to screen. The plot is essentially...

A White, White Day review — Sigurðsson is chillingly good

September 22 2020, by M.N. Miller

A White, White Day (Hvítur, hvítur dagur) opens with a boxy car driving erratically and without a care in the world. It’s a wet, wet...

Enola Holmes review – Millie Bobby Brown impresses but the plot does not land effectively

September 22 2020, by Daniel Hart

This review of Netflix film Enola Holmes contains no spoilers. The movie will be released on the streaming service on September 23, 2020. The immediate...

A Love Song for Latasha review – a powerful short film about a life cut shorter still

September 22 2020, by Jonathon Wilson

New on Netflix, increasingly the home for valuable and diverse short-form content, A Love Song for Latasha is a striking piece of work from director...