Apple TV+

I might be wrong, but I’m not sure what Season 2 of The Last Thing He Told Me needed was a much narrower focus. Episode...

Monsters are supposed to be scary, which is something that, in large part, hasn’t really been considered by the MonsterVerse. Giant and awesome? Sure. But...

As well as being the ending — obviously — of Hijack Season 2, “Terminal” plays out like a bit of a reassurance that there won’t be a...

Shrinking isn't about death, per se, but it's certainly rather attached to the idea. It occurs to me that we're in Season 3 now, and none of the core cast has been killed off in any way, even the ones that have come close a few times, so perhaps the fake-out trick is wearing thin.

There’s something weird about The Last Thing He Told Me that is difficult to put a finger on. It has always been there, but it’s especially noticeable in Season 2. The best way of describing it would probably be a feeling of inertia, or glossy emptiness. It all just feels so rote, so artificial, that it’s really quite difficult to care about any of it.

In its first season, Apple TV+’s Monarch: Legacy of Monsters made a surprisingly great case for itself as one of the better small-screen franchise tie-ins. And Season 2, despite a break lasting over two years, seems determined to live up to that reputation in Episode 1.

I love Shrinking more than just about anyone, but I think it’s fair to say that Season 3 was threatening to fall into a bit of a...

There’s a slight “too little too late” quality to the tail end of Hijack Season 2 — I think we can all agree that this probably didn’t...

Season 2 of The Last Thing He Told Me is actually an adaptation of The First Time I Saw Him, the second book in the...

Paul has been talking about The Field since the start of this season, but he probably never expected to find the solutions to his own...

“Juncture” is another decent episode of Hijack, let’s just get that out of the way. It contains one major reveal and a few fun developments, and...

Honesty is the best policy, or so the saying goes, but I'm not sure Sam Nelson would agree. Throughout Season 2 of Hijack, he has been pretty understandably cagey, all the better to sell the inverted premise of Apple TV+'s claustrophobic thriller.

There's a fine line between happiness and crippling trauma. It's a line that Shrinking has tiptoed along beautifully since the beginning, and never more so than in Season 3, which has an inescapable spectre looming over it that it won't allow us to forget.

No dog chasing a car ever stopped to consider what it might do if it caught it, and similarly, Camille and Issei never really thought...

The hook of Hijack has always been a claustrophobic setting. In Season 1, it was a plane, while in Season 2, it’s a train, but ironically, this season has started to improve by expanding its viewpoint.

I’ll be the first to admit that Shrinking Season 3 started so well that it’s basically impossible for the remaining episodes to consistently hit those heights.

The train has finally left the station, so to speak. In this case, the train is Hijack, and the station is Season 2, in case that wasn't clear.

Over the years, I've said some pretty hyperbolic stuff about Shrinking. Fair warning: That isn't going to change in Season 3.