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The Perfect Neighbor is an engaging and quite uniquely constructed true-crime documentary that, at about the midpoint, morphs into one of the most harrowing films...

Good News (2025) opens with a disclaimer that, while the story is based on real events, most of it is entirely fictional. And this largely...

It takes some real stones to pitch a movie like Good News (2025). Sure, retellings of vital historical events are ten-a-penny, so the idea of...

Alaska is full of amazing sights. Caribou roaming the tundra.

Invasion Season 3 has been all over the place, which shouldn't come as much of a surprise since the first two seasons weren't exactly coherent either.

Most people, I suspect, watch Murder in a Small Town for the murders.

Not to say I told you so, but, well, I told you so. It isn’t like Gen V Season 2 had been especially subtle about what was really going on with Cipher and Thomas Godolkin, but it’s nice that Episode 7 clarifies it – and with immediately chilling effect.

A culture is defined by the stories it tells, so I’m not sure what it has to say about our current climate that you can’t turn the TV on these days without having to endure something about influencers.

The thing about Loot, which remains as true in Season 3 as it was in the previous two, is that it’s funny enough to not really need much of a plot.

I was just about ready to declare Episode 5 of The Morning Show Season 4 a bit of a dud.

Slow Horses is a very smart show about people who're indescribably stupid or much cleverer than they look.

The worst thing that ever happened to Watson was Brilliant Minds. Both shows are similar enough that the comparisons are unavoidable; medical procedurals with a focus on very strange, often brain-related cases of the week.

Look, nobody, least of all me, thought that Everybody Loves Me When I’m Dead was going to have a happy ending. But I didn’t expect...

There’s no such thing as a victimless crime, which seems to be the underlying point of Netflix’s demented, bleak, hyper-violent Thai thriller Everybody Loves Me...

The latest in an increasingly long list of Netflix animations adapting recognisable video game IP, Splinter Cell: Deathwatch joins stuff like Castlevania, Tekken, Onimusha, and...

Across eight episodes, Splinter Cell: Deathwatch tells the closest thing we’ve had to an original Splinter Cell story since 2013’s Splinter Cell: Blacklist. It’s appropriately on-brand in its global scope...

Splinter Cell: Deathwatch has a pretty conclusive ending, let’s be frank about that. Theoretically, there’s no need to continue it any further. The bad guys are...

Splinter Cell: Deathwatch is pretty good, and it’s also likely to annoy almost everyone who watches it. At this point, Ubisoft’s edging of long-time franchise fans...