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Just when you thought it couldn’t get much worse for Angelo in Memory of a Killer, Episode 7 comes along. “Dr. Parks” is the first...

“Progress” is a nebulous term at the best of times, especially given the wavering politics of Taylor Sheridan’s shows, so it’s little surprise that Marshals...

Steve Carell made a handy focal point for Rooster, and his reluctant bumbling is what helped to situate us at Ludlow and get a sense...

Paradise has always been resistant to the idea of a simple antagonist. We’ve seen this play out a number of times with even the show’s...

DTF. St Louis has been pretty good since it started. Odd, sure, and unconventional enough for its ultimate destination to feel sometimes worryingly elusive. In...

Nope, still not convinced. Something still feels off. Girl from Nowhere: The Reset doesn’t feel as discordant in Episode 2 as it perhaps did in the premiere, which was a bit performatively “new” to live up to the title and draw attention to the casting change, but it isn’t like “Panty” has a great deal to offer on its own terms.

It isn’t an accident that Stacy and Preston Clyburn’s kids have been so generally unlikeable throughout The Madison. In Episode 3, “Watch Her Fall”, it becomes a plot point. In the opening flashback, it’s revealed that Abigail was going through a divorce, utterly unsurprising to her parents, since it was obvious to them that Abby is a pampered idiot who has been making bad decisions her entire life on their dime.

Episode 2 of The Madison is a little weaker than the pilot, if you ask me. Not by a big stretch, granted, but there has to be a trade-off to less Kurt Russell, even though he keeps showing up in flashbacks, and here it’s a little forward momentum.

It’s very hard to consider The Madison as a spin-off of Yellowstone, which is sort of what it has been advertised as. Part of a tie-in triple-threat also comprising Marshals and The Dutton Ranch, Taylor Sheridan’s deeply contemplative neo-Western Montanaverse is certainly expanding, but if Episode 1 of this show is anything to go by, it’s also diversifying.

Okay, we’re definitely doing the Mickey and Boone thing. Sheriff Country has been beating about the bush in that regard for weeks, but now that...

There’s always a bit of an eerie quality to real-life parades and celebrations being targeted, so Boston Blue is treading quite a thin line in...

I suspect that jetting around the world hunting crazy serial killers is pretty high-stress, as far as jobs go, but even by the usual standards,...

Characteristically for a show like That Night, which takes an unusual approach to what is ostensibly a crime thriller all throughout its runtime, its ending...

You shouldn’t be too complacent with That Night, which at first blush looks a lot like a thousand other Netflix crime thrillers. The Spanish ones...

There’s basically no monster action in Monarch: Legacy of Monsters, which you should probably be aware of. It’s fine, though, since you can have too much of a good thing. Season 2 only has a limited budget, and Episode 3, “Secrets”, is all about putting in the emotional, character-driven groundwork that is going to make the inevitable monster action later feel more resonant.

Everybody has a breaking point, and The Pitt Season 2 has hit the stage where several characters are experiencing theirs at the same time. Episode 10 has mommy issues on multiple fronts, terrible bedside manner, petty squabbling, another godforsaken degloving injury, assisted suicide, a missing leg, a missing son, and even more foreshadowing about Robby's inevitable motorcycle-related demise. Where to even begin?

And there it is, folks. The big twist! Or the nearest The Last Thing He Told Me Season 2 can get to one of those, anyway, which admittedly isn't saying much.

Much ado has been made about Star Trek: Starfleet Academy, a reception that I’ve discussed briefly before. More so than ever, the finale solidifies my...