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Every time Sherlock Holmes has shown up in Watson Season 2, it has heralded bad news.

I Love LA ventures more into overt sitcom territory in Episode 7, “Divas Down”, but what initially seems like a shallower episode is really just another step on the journey of Maia’s self-defeating psychopathy.

There are two constants in Stephen King’s work: Fear and evil. Both are eternal. The very idea of Pennywise – or “The Entity”, or simply...

I do love a subplot that feels very specific, and Sheriff Country has had its share of those already. But it has a really good one in Episode 8, appropriately titled “Death & Taxes”, which really enjoyably leans into the show’s very specific vibe and sense of place.

I’ve been moaning about Boston Blue’s lack of meaningful conflict. But I’m beginning to wonder if maybe the real thing that was missing was depth.

The ironic thing about a title like "Unworthy" is that it's a reminder that pretty much nobody in Spartacus: House of Ashur is all that worthy of the positions they find themselves in.

Trust DMV to radically improve just in time for the midseason finale.

It turns out Laila is still in Watson Season 2 after all, but her sudden reappearance in Episode 9 causes more problems than it fixes.

I Love LA has been a comedy since the beginning, and it’s still a comedy in Episode 6, but only just.

Whenever people think of It, they invariably think of a scary dancing clown, but if Welcome to Derry is proving anything, it’s that Pennywise is the least of Derry’s problems.

Spartacus: House of Ashur is a story about second chances. For one thing, it’s a return to Starz’s beloved, ridiculous historical epic, one of the shows on which the platform built its reputation for blood by the bucket-load and boobs by the barrel.

Sheriff Country has some mixed subplots in terms of quality, there’s no doubt about that, but it’s similarly inarguable that the main thrust of it is really very good.

I’ve spent most of my coverage of Boston Blue complaining about conflict – or the lack of it, as has often been the case here.

Murder in a Small Town doesn’t suit the cliffhanger ending, does it?

Just in case you were wondering whether DMV itself is aware of how annoying Colette is, Episode 8 has you covered.

I’m not the biggest fan of Watson, as anyone who has been reading these Season 2 recaps can probably tell, but I’m happy to admit...

What do you get when you take a show about mindless excess and complete, weaponised vacuity, and then have everyone in it suddenly realise that they want to do something meaningful with their lives?

If you ever wanted concrete proof that The Chair Company is not like other shows, then look no further than its ending — if you...