TV

Season 4 of The Morning Show has been, let’s face it, pretty all over the place. And while all the disparate character arcs and subplots have yielded...

Until now, Sarah Paulson's Carrington Lane has been by far the best part of All's Fair. This is largely because she has been an overblown cartoon villain without a trace of redeemability, which puts Episode 5, "This Is Me Trying", in an awkward position.

I’m not the type to ever be caught in the heart of a scandal – unless there’s a group of people somewhere who really care...

The Chair Company isn’t getting worse in any meaningful sense, but I think Episode 6, “Happy Birthday, a friend”, is the point where it has reached the outer limit of how much great throwaways and weird juxtapositions alone can sustain it.

It’s hard to critique It: Welcome to Derry. It has been since the beginning, really. On the level of its broad storytelling, it leaves a lot to be desired, with two pretty ill-fitting concurrent storylines playing out simultaneously, and little overlap as yet.

Sixteen episodes is too many, isn’t it? I don’t mean all of the time, but generally speaking, especially for a K-Drama running 65-75 minutes per outing.

The penultimate ever episode of Billy the Kid feels pretty unmistakably like a side quest.

A pretty big deal is made about the forest in Episode 4 of Robin Hood. Norman military might has no answer for it.

When Talamasca: The Secret Order started, it was quite enjoyably serious.

Landman is the best show in the world at being compelling without anything really happening in it. It managed to get through its entire first...

“Dead Weight” is the penultimate episode of Tulsa King Season 3, but it doesn’t feel like it.

There has been quite a lot of death in Mayor of Kingstown Season 4 thus far.

The last thing Typhoon Family needed was to get drier, but here we are in Episode 11, “Tomorrow Comes Love”, with Tae-poong trying to secure a government contract.

People are sleeping on Sheriff Country. I’m not suggesting it’s secretly a prestige drama or anything, but as far as procedurals go, it’s really a very fine version of that oh-so-familiar format, and I think you can see it quite clearly in Episode 5, “Expecting Trouble”.

You see how much difference a bit of disagreement makes? For all its strengths as a procedural, this is the one area where Boston Blue...

In most shows, the finale of Malice would constitute a happy ending. The pampered, privileged family is taken to task for their selfishness, after all,...

Nothing about Prime Video’s Malice should work. It’s very silly, totally implausible, and stars Jack Whitehall, of all people, not as bumbling comic relief but...

Well, I think it’s safe to say that the launch of Apple TV+’s Pluribus was quite the success. Its deeply mysterious two-episode premiere was met with overwhelmingly positive reviews and word of mouth, despite a degree of hype I rarely recall seeing in recent times.