The Irishman Review: Cinema Awakens From Slumber Age Is Just A Number
The gang of Marty, Bob, Al, and Joe sound like a quartet based out of a Brooklyn mechanic garage but
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Author: Aaron Farrell.
Ocean Film Festival UK Tour: A Rousing Return The Seductive Sea
Now on its sixth year, the Ocean Film Festival returns to Britain at a time when we need our socio-political
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Retro Steady Cut: Apocalypse Now, And Then 40 Years On, Still The Greatest War Movie Ever Made
Our motto: Apocalypse Now. No this isn’t the tagline for Brexiteers and Trump supporters’ ongoing campaign for fascistic values, it
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Midsommar Review: The Promise Of Pandora’s Box Opens to Blood-Soaked Flowers Wilted Before Their Bloom
Seeing as the word ‘festival’ derives from the Latin for feast, and Midsommar is about a 9-day festival during the
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Too Old To Die Young Review: A Neon-Noir Skewering Of The American Nightmare
This review of Too Old To Die Young is spoiler-free A TV series that isn’t a TV series had a
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High Life Review: A Tantalisingly Conceived But Essentially Barren Paternal Sci-Fi Journey Lost in Space
In High Life, Monte (Robert Pattinson) and his baby daughter, Willow (Scarlett Lindsay), are the last survivors aboard a cubic
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Reflecting on ‘Shoplifters’ and Poverty To Have Nothing and Everything
There is a certain clutter to poverty. Though material possessions aren’t owned by desire but by necessity, the small spaces
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‘Mid90s’ Film Review Skate or Die
In Mid90s, Stevie (Sunny Celjic) is the youngest son to Dabney (Katherine Waterston) and little brother to Ian (Lucas Hedges),
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‘Us’ Film Review All Together Now
Jordan Peele’s Get Out was a genre cocktail whose main ingredients were horror tropes, satirical social-commentary, racial liberation, sublime acting,
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‘Under The Silver Lake’ Film Review L.A. Noire
The bland existence of jobless Sam (Andrew Garfield) is interrupted when he spies the mysterious beauty Sarah (Riley Keough) swimming
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