RoleSenior Film Critic and Writer
LocationNevada, USA
ExpertiseTV, Film and Entertainment, Rotten Tomatoes Approved, Film Journalism
Contribution1096 articles published since September 2018

M.N. Miller

M.N. Miller joined Ready Steady Cut in April 2018 as a Senior Film Critic and Writer. Since a young age, Miller has dreamed of becoming a legitimate critic and having that famous “Rotten Tomatoes” approved status—in 2023, he achieved that status.

As a film journalist and avid member of the Las Vegas Film Critic Society and the Critics Choice Association, Miller is your go-to source of information for what to watch next in the world of Film and TV. In addition to writing for Ready Steady Cut, Miller has had his work published at Film Focus Online, FandomWire, Geek Vibes Nation, and InSession Film. 

When he’s not delving into movies, Miller enjoys relaxing on Sunday afternoons, watching reruns of California Dreams with his wife. He’s also waiting for that next Pearl Jam Album.

Articles by M.N. Miller

Land review – cold, stoic, and patronizing

February 15 2021

Robin Wright’s directorial debut, Land, is an exercise in stoic ambivalence. Don’t get me wrong, Wright is one of the most underappreciated actors of her...

I Care a Lot Review – A Smart, Cruel Crime Film

February 15 2021

It’s rare for any type of crime film that goes beyond its first act without resorting to every other generic crime film cliche. Roger Ebert...

WandaVision season 1, episode 6 recap – “All-New Halloween Spooktacular!”

February 12 2021

This recap of Disney Plus’s WandaVision season 1, episode 6, “All-New Halloween Spooktacular!”, contains significant spoilers. Last Time on WandaVision Last week on WandaVision’s “On...

Barb and Star Go to Vista Del Mar review – unfiltered and unfocused

February 12 2021

When the funniest moment of a comedy written by the women behind Bridesmaids is Jamie Dornan singing a song inspired by Seagulls in the Sand,...

Judas and the Black Messiah review — a gripping drama brought to a feverish boil

February 2 2021

Shaka King’s Judas and the Black Messiah works on many levels. It’s a film with a message that is deeply rooted in racial oppression. It...

Finding ‘Ohana review – a safe and far too long family adventure picture

January 29 2021

I recognize sometimes film criticism may get caught up in an overall level of keeping standards high to keep the medium as an art form....

Malcolm & Marie review – God, the talking. All the talking.

January 28 2021

Let me summarize Malcolm & Marie for you: every time one of the two characters has to urinate, they have a long, endless fight. God,...

Palmer review – an uneven film with a natural performance

January 25 2021

I think every actor goes through the phase of wanting to play a man in eternal arrested development; a giant man-baby who somehow gets caught...

WandaVision season 1, episode 3 recap – what in Seaside, Florida is going on here?

January 22 2021

This recap of Disney Plus’s WandaVision season 1, episode 3, contains spoilers. The third episode has WandaVision entering the classic ‘70s sitcom style, with the...

WandaVision season 1, episode 2 recap – what’s with the [spoiler] outfit?

January 15 2021

This recap of Disney Plus’s WandaVision season 1, episode 2, contains significant spoilers. WandaVision episode 2 begins in black and white and I Love Lucy style...

Charming review – charmless, cutscene animation

January 8 2021

Netflix has become a charity by subsidizing bad films for studios. They are responsible for the distribution rights in the United States of the animated...

Herself review – a resilient and empowering performance by Clare Dunne

January 8 2021

There is something plaintively real and uncinematic about the opening scene of Herself, the new Amazon Prime Video film. A thirty-something mother is dancing around...

Cops and Robbers review – undeniably beautiful and powerful

December 30 2020

This review of Cops and Robbers (Netflix) is spoiler-free. Timothy Ware Hill’s beautifully animated short film has landed on the streaming giant Netflix and it...

Minari review – the most American film in years

December 28 2020

Let’s get one thing straight — Lee Isaac Chung’s Minari is an American movie. Yes, most of it is spoken in Korean. So what? This...

The Father review – a work of empathic genius

December 27 2020

There are very few film experiences like Florian Zeller’s The Father. He has made a film, based on his play, that has cleverly communicated the...

The Stand In review – the worst film of the year

December 26 2020

  There aren’t enough words for how indescribably bad Drew Barrymore’s The Stand In is. It is bad, so very bad. Atrocious, brackish, hackneyed, insipid,...

French Exit review – caustic and ambivalent

December 25 2020

I never knew the term ghosting was not invented by millennials, but a phrase that came from when people left a party. While watching French...

Your Name Engraved Herein review – an emotionally charged film

December 23 2020

Taiwan’s martial law ended in 1987, but that doesn’t mean people’s hearts and minds changed with it. The move towards political oppression lasted nearly 40...

Fatale review – a damoiseau in distress

December 22 2020

The erotic thriller, popular in the nineties, has made a comeback in recent years. You know the kind. One half of the marriage feels underappreciated...

DNA review – quiet and thoughtful

December 22 2020

This review of DNA (Netflix) is spoiler-free. Maïwenn’s film DNA (Netflix, also known as ADN) is a quiet and contemplative work about how the power...