Netflix
Three Part Netflix Documentary Makes You Wonder How Amy Lynn Bradley Is Still Missing
Amy Bradley Is Missing is undoubtedly a true crime title that leaps out – even if, ironically, it falls short of capturing the true essence...
‘Apocalypse in the Tropics’ Is A Can’t-Miss Account of the Fall of Liberal Democracy
At the risk of repeating myself, there is, I think, an argument to be made in favour of streaming services being the most viable delivery...
‘Trainwreck: Balloon Boy’ Is A Fascinating Documentary That Takes Multiple Fun Turns
Just when it seemed like Trainwreck had reached its lowest ebb with a thoroughly uninteresting instalment, along comes Balloon Boy. This story of an apparent...
The Ending Of ‘Almost Cops’ Is Too Safe, Too Obvious, and Too Predictable
If you’ve ever seen a buddy-cop movie, you’ll likely be able to predict the ending of Almost Cops after the first five minutes. I don’t...
‘Almost Cops’ Plays Too Safe To Rejuvenate the Flagging Buddy-Cop Genre
Buddy cop comedies used to be ten-a-penny, and a lot of them were great – Lethal Weapon, Rush Hour, 48 Hours, Tango & Cash, the...
‘Madea’s Destination Wedding’ Offers No Answers About How These Things Keep Getting Made
The Madea franchise remains one of the most confounding mysteries in all of cinema. Madea’s Destination Wedding is the thirteenth – count ‘em! – entry,...
The Ending Of ‘Leviathan’ Is David vs. A Literal Goliath To Decide World War I
It’s a great surprise that Leviathan ends as conclusively as it does. For one thing, it’s a Netflix series, and those are notorious for never...
Netflix’s ‘Leviathan’ Adaptation Puts Its Focus In All The Wrong Places
You’d need both hands and at least half a foot to count all the cool stuff in Leviathan, Netflix’s anime adaptation of Scott Westerfeld’s World...
‘Brick’ Ending Explained and the Unanswered Questions
Brick (2025) is a thriller set in an apartment complex in the city of Hamburg. A group of characters is trapped behind an impenetrable wall of...
Netflix’s ‘Brick’ Is Not as Thrilling as the Trailer Suggests
Occasionally, there’s a situational thriller, like say, Panic Room, that pays off with a supporting premise. Unfortunately, the same cannot be said for Netflix’s Brick...
The Ending Of ‘Ziam’ Sets Up A Potential Sequel, But Is There Enough Meat On Its Bones?
It’s an unwritten rule that no Netflix movie can ever truly end. With streaming content being what it is, the possibility of a sequel must...
In ‘Ziam’, It’s Muay Thai vs. the Dead, But the Surface-Level Pleasures Are All You’re Getting
Even if it wasn’t my job, I’d still find myself watching a movie like Ziam. As played out as zombies might be these days, the...
Netflix’s ‘Building the Band’ Has a Brilliant Twist—And One Big Flaw
As someone who grew up in the early 2000s with a music-obsessed mother who introduced me to various music reality TV series, such as Pop...
The Crowd Work Conundrum: Are Comedians Funnier When They Don’t Write Material?
Nate Jackson: Super Funny is a very good special by all the usual standards, but it’s fascinating in one specific, new-ish way. Bookended by perfectly funny...
‘Nate Jackson: Super Funny’ Had Me In Tears For Good Reasons
I’m ashamed to say that I know of Nate Jackson through TikTok, a platform that’s a hotbed for comedians to promote their best work, thanks...
Invite Only: Fan-Casting The Craziest Project X Party Ever
If you’re old enough to have been a teenager in 2012 or thereabouts, you no doubt remember Project X, a teen comedy based on a...
‘Trainwreck: The Real Project X’ Is An Impressive Example Of How To Make A Wild Party Painfully Boring
Netflix’s run of recent Trainwreck specials has been a mixed bag, wavering wildly in tone to the extent that it’s often unclear whether you’re supposed...
‘The Old Guard 2’ Is The Awkward Middle Child Nobody Likes
I never thought The Old Guard was as good as everyone else seemed to. It was fine, don’t get me wrong. It had kinetic hand-to-hand...