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I didn’t like Episode 6 of The Studio as much as I’ve liked some of the others.

Good American Family is, on the face of it, a tale of two halves, told from two contrary perspectives.

Let’s just clear up any confusion. Bullet Train Explosion is nothing to do with David Leitch’s demented 2022 action-comedy Bullet Train, though it would perhaps...

Only rarely will you see pre-release hype for a single hour of television as vigorous as what HBO was pushing for "Through the Valley".

Harry Da Souza has given his life for the Harrigan family in one way or another, and that’s going to become a literal statement sooner rather than later.

If you can’t eat the rich, you might as well steal from them. This is the point that Your Friends & Neighbors is making, more or less.

The previous episode of Happy Face was very good because it pulled the rug at the very end and allowed corruption another victory. Episode 6 is even better because it makes that victory short-lived.

And here we all were thinking that the serial killer was the villain of Happy Face. No such luck.

The smart and complete turnaround of Good American Family has been a whiplash-inducing pivot that has improved the Hulu series tenfold.

With every episode of The Studio, it finds a new way to impress. In the two-part premiere it was a very funny ensemble piece and then a tight, isolated riff on the microcosmic art of the oner.

If you squint a little bit, it’s kind of beautiful. Daredevil: Born Again is only vaguely what one would consider a comic book show, the...

Taking a page out of Black Mirror's playbook, Poppa's House tries to tackle a relevant subject in Episode 16. And like recent Black Mirror, it's misguided rubbish.

Netflix’s Scandi noir The Glass Dome is pretty good, taking the quintessential genre framework and delivering a very solid version of it that doesn’t try...

Netflix’s Scandi noir The Glass Dome pulls double duty as both a taut whodunnit and a psychological drama, exploring the longstanding effects of intergenerational trauma...

Look, you know how these things work. In an episode or so, The Glass Dome sketches one of the more familiar outlines of a quintessential...

There seems to be a bit of a pattern emerging now where Suits LA pulls out an emergency solution whenever it starts to sag.

The reason why The Last of Us worked as a live-action video game adaptation is largely because it knew it couldn’t just adapt the game directly.

MobLand clearly isn’t interested in hanging about, is it? If you thought the brewing gang war between the Harrigans and the Stevensons was something that might take, I dunno, half a season or so to get going, Episode 3 disabuses you of that notion by opening with Kevin’s house blowing up.