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Who'd have thought it? A half-hour of Poppa's House that I genuinely enjoyed! And it only took 17 episodes for us to get here.

The fifth episode of MobLand is built around a single sustained run of tension that plays like a breath held long enough to sting the lungs.

Happy Face raises some interesting new questions towards the end of Episode 7, but I prefer it when it’s languishing.

Harry Da Souza has given his life for the Harrigan family in one way or another, and that’s going to become a literal statement sooner rather than later.

The previous episode of Happy Face was very good because it pulled the rug at the very end and allowed corruption another victory. Episode 6 is even better because it makes that victory short-lived.

And here we all were thinking that the serial killer was the villain of Happy Face. No such luck.

Taking a page out of Black Mirror's playbook, Poppa's House tries to tackle a relevant subject in Episode 16. And like recent Black Mirror, it's misguided rubbish.

MobLand clearly isn’t interested in hanging about, is it? If you thought the brewing gang war between the Harrigans and the Stevensons was something that might take, I dunno, half a season or so to get going, Episode 3 disabuses you of that notion by opening with Kevin’s house blowing up.

The point of an ending is, ostensibly, to provide answers and dramatic payoff, which is a concept that for some reason Yellowjackets has never quite...

Episode 2 of MobLand is titled “Jigsaw Puzzle”, which is fitting for two reasons.

I can’t have been the only person who thought that the finale of 1923 Season 2 couldn’t possibly be a proper ending. Surely not!

I think we’re all in agreement that Happy Face works best as a personal story instead of a mystery, especially one with some sledgehammer-subtle social commentary for good measure.

I’ve got to be honest; I’m starting to lose track of Yellowjackets a bit. Between the dual timelines, switching perspectives, surreal dreamscapes, dark side alter egos, and flesh-eating past and present, it’s getting harder and harder to tell what’s what.

Call me naïve, but I thought Poppa’s House was onto something. After finally introducing a halfway-compelling new element, it regresses into its default state in Episode 15.

Here’s a potentially controversial statement, but I much prefer Watson when it’s playing down the Sherlock Holmes association. Given I also prefer it when it isn’t about John Watson, I can admit that I’m setting the show some perhaps unreasonably strict parameters.

MobLand has such a great cast that Episode 1 didn’t need to do anything to be compelling out of the gate. Luckily, “Stick or Twist” did some things anyway.

Major character deaths in 1923 have been like buses in Season 2; you wait for ages without seeing one, and then a whole bunch come along at once.

It’s very much a cliché that the journey is more important than the destination, but it seems pretty true in 1923 because the journey never ends.