TV Recaps

It’s a good job Boston Blue is a decent procedural, because if it weren’t for the cases of the week, it’d be the dullest, most...

Even before its release, Pluribus was being hailed as proper event television, the kind of watercooler show we don’t get anymore from the man responsible...

Nothing’s a secret these days. No movie releases without two or three increasingly obvious trailers having given most of its plot points away. No TV...

The Last Frontier is unashamedly a throwback to uncomplicated, slightly conspiratorial action thrillers of the ’90s, and I love that about it. Or, at least, I’d...

Season 2 of Murder in a Small Town isn’t really working for me. I’ve thought that since the beginning.

The Morning Show Season 4 has been a predictably mixed bag, but if it's really good at one thing, it's those very tight and intimate character-driven episodes that allow individual performers to stand out and steal the show.

There are obviously a lot of similarities between Down Cemetery Road and Slow Horses, but there are also a fair few key differences.

It has been difficult to keep track of Loot in Season 3. It definitely dropped the ball in a lazy England-set third episode, but it managed to course correct a little with a half-hour reintroducing John Novak for a ridiculous guest appearance.

In Episode 4 of DMV, things are half-improved. The secret is keeping Colette away from Noa for a while, since that dynamic was already becoming tired.

In a weird way, it’s almost impressive that we’re on Season 2 of Watson and yet nobody involved in its creation has quite figured out who any of its core characters are.

I never thought I'd hear the term "revenge vagina", but here we are. There are certain things you can rely on Ryan Murphy for, and it's probably stuff like this.

I have a personal theory that most things would be improved by the presence of Sarah Paulson, and this seems as true of All's Fair as it is of anything else.

Only rarely have I ever seen a show lay out the basic shape of its premise as quickly as All's Fair does.

It is highly probable that I am so far removed from the target demographic of an HBO comedy about single twenty-something Californian girls – and guys! – trying to make it in L.A., that any opinion I may or may not have on the subject is utterly worthless.

After what was pretty unmistakably a Halloween special in disguise, imagine my delight when the cold open of The Chair Company Episode 4 suggested we were doing a Christmas special this week instead.

The biggest question swirling around MGM+’s prestige retelling of the Robin Hood story is whether or not we really need another Robin Hood story.

I’ve got to be honest, I kind of see Guy’s point in Talamasca: The Secret Order.

I feel like I have been a little hard on Typhoon Family. It’s only because I care!