Science-Fiction

Wednesday is pretty good at endings. It’s the done thing these days to never really end a show, but this one has always been good at...

Wednesday Season 2 peaked with its Freaky Friday body-swap episode, so it was inevitable that Episode 7, "Woe Me the Money", would feel like a bit of a step down.

The lingering questions of what Wednesday was doing with its Season 2 storylines after that midseason premiere are answered pretty much immediately in Episode 6, so don't worry about it.

There are two major selling points of "Hyde and Woe Seek", beyond the obvious fact that it's the Part 2 premiere and follows on directly from the Part 1 mid-season finale.

How long is too long? I ask because Bon Appetit, Your Majesty runs for nearly 90 minutes every episode, and it feels like the story is moving slowly to accommodate that in Episodes 3 & 4.

Twelve leaves us with a lot of questions after Episode 4. On some level, this isn’t a terrible thing, since it wouldn’t do for a show to give all of its secrets away out of the gate.

Good TV conflict always creates the impression that the villains have the upper hand, only for the heroes to rally and save the day in the end, but I do wonder if Twelve might be going a bit far with it.

For a comic book show, Peacemaker is becoming surprisingly character-driven in Season 2, and for such a funny comedy, it’s also deeply sad at its core.

I don't think there's much point in moaning about Invasion's pacing anymore.

The final round of the Twisted Metal tournament performs as advertised. Episodes 10, 11, and 12 are carnage from top to bottom, killing off the...

I’ve been a bit sceptical of Alien: Earth hinging so much of its drama on the idea of kids in adult bodies, but Episode 4, “Observation”, makes me think it might have been in service of one thing in particular.

Twelve has a superpower of its own, and while it isn’t animal-themed, it’s undeniably extremely effective – pace.

Bon Appetit, Your Majesty is, and I don’t say this lightly, possibly the most quintessentially “K-Drama” K-Drama that ever did K-Drama.

Stephen King is the most famous horror writer in the world, which is worth remembering sometimes, because The Institute isn’t really a horror story. It’s...

There’s something quite charming and simplistic about the mythological setup of Twelve, the anticipated Disney+ K-Drama based on zodiac signs about a dozen angels living among the humans of Korea and protecting them from an ancient evil.

Peacemaker is back for Season 2, and not just back, but back into a new DC Universe.

The most apt description of any episode of Invasion generally begins with, "Not much happened, but...". This holds true in the Season 3 premiere, "The Ones We Leave Behind", which has the unenviable task of setting up a new status quo after the Season 2 finale.

There's no vehicular combat in Episodes 8 & 9 of Twisted Metal Season 2, which, for an adaptation of a video game franchise built entirely around vehicular combat, seems a tad concerning.

“Metamorphosis” is defined as a transformational change, often from an immature form to an adult one, so despite conjuring images of butterflies bursting from chrysalises, as far as Alien: Earth is concerned, it applies less to the Xenomorphs and more to the Lost Boys.

“Out of the frying pan and into the fire” comes to mind when watching Episode 7 of The Institute.