Jonathon Wilson

I was just about ready to declare Episode 5 of The Morning Show Season 4 a bit of a dud.

Slow Horses is a very smart show about people who're indescribably stupid or much cleverer than they look.

The worst thing that ever happened to Watson was Brilliant Minds. Both shows are similar enough that the comparisons are unavoidable; medical procedurals with a focus on very strange, often brain-related cases of the week.

Look, nobody, least of all me, thought that Everybody Loves Me When I’m Dead was going to have a happy ending. But I didn’t expect...

There’s no such thing as a victimless crime, which seems to be the underlying point of Netflix’s demented, bleak, hyper-violent Thai thriller Everybody Loves Me...

DMV seems built on the question of what a single-camera workplace sitcom looks like when everyone hates the workplace.

The latest in an increasingly long list of Netflix animations adapting recognisable video game IP, Splinter Cell: Deathwatch joins stuff like Castlevania, Tekken, Onimusha, and...

Across eight episodes, Splinter Cell: Deathwatch tells the closest thing we’ve had to an original Splinter Cell story since 2013’s Splinter Cell: Blacklist. It’s appropriately on-brand in its global scope...

Splinter Cell: Deathwatch has a pretty conclusive ending, let’s be frank about that. Theoretically, there’s no need to continue it any further. The bad guys are...

Splinter Cell: Deathwatch is pretty good, and it’s also likely to annoy almost everyone who watches it. At this point, Ubisoft’s edging of long-time franchise fans...

Truth being told, I don't know what people don't like about Chad Powers. As far as comedies go, it does more or less everything right.

Brilliant Minds has always been good, and sometimes it has been very good, but in Season 2, it really might be at its peak.

The clue is in the name, sometimes. Even if you didn’t know that HBO’s The Chair Company comes from I Think You Should Leave’s Tim Robinson and Zach Kanin, the simple fact that it’s called The Chair Company should be a bit of a giveaway that it’s slightly off-kilter as far as comedies go.

People die. This is true in real life and even truer in television shows, since drama needs conflict, and conflict is invariably kicked off and concluded with violence.

Season 3 of Billy the Kid seems best characterised as “the one where he gets ambushed everywhere he goes”, which must be demoralising when you’re trying to organise a resistance movement.

Well, we’re in the ‘90s, of that there can be no doubt. The whole aesthetic of Typhoon Family reflects the period in which it’s set, but it’s not all in service of chintzy nostalgia.

While not quite the standout that the wide-scale defence of Solaz and Daryl’s solo train side quest were, Episode 6 still feels like Season 3 of The Walking Dead: Daryl Dixon operating at a pretty high standard.

Jeremiah Dunmire’s goons stealing the Montague 50 seemed like a much bigger deal than it ends up being in Tulsa King Season 3, Episode 4.

That excitable, itchy feeling of a penultimate episode definitely creeps into The Rainmaker here, and it’s perhaps just as well, since it hasn’t always been...

Vicious doesn’t have the kind of ending you can explain. Everyone who watches it will likely take something different from it and have a different...