TV

Netflix’s often stellar sci-fi/fantasy anthology series Love, Death + Robots returns for Season 4 with another clutch of episodes, each highlighting a different style of...

Anthologies are always a mixed bag by definition, but Tim Miller and David Fincher’s Love, Death + Robots has remained remarkably consistent throughout its first three seasons...

Netflix’s American Manhunt: The Boston Marathon Bombing was a sobering exploration of the impact of domestic terrorism and America’s post-9/11 psyche, and I thought about...

It says a lot about how truly depraved two people can be that they remain at the forefront of the public consciousness decades after the...

The fact that Las Vegas is nicknamed “Sin City” should probably be a clue that hosting anything important there is a bad idea, especially if that important thing needs a lot of egoists to sell it.

Tastefully Yours has a comfort that comes from familiarity. In Episode 2, it’s largely going through the motions, opening the story up a little and shunting it forward, but not threatening to veer off in any unexpected directions.

You can always rely on a comedian, especially a relatively edgy one, to push some boundaries. Tom Segura, who’s no stranger to Netflix, does that...

Tom Segura has teamed up with Netflix to deliver a deranged anthology of sketch comedy that feels like The Twilight Zone had a love child...

Sometimes what people want from their entertainment is comfort and familiarity, and that definitely seems to be the kind of audience Tastefully Yours is courting, at least as far as Episode 1 is concerned.

It was always going to be difficult to adapt The Last of Us Part II, which is a game that relies on the fundamental expectations of video games as a medium to tell a pretty complex story about grief, revenge, and various other attendant matters, none of them particularly positive.

Maybe it’s just me, but Heavenly Ever After is starting to feel like a lot. It could be the episode runtimes, granted, which stretch to almost feature-length twice a week.

I've never been on board with the idea of hate-watching something. It seems like a waste of time to me.

Until now, MobLand has been a tale of two families who each possess a relatively even share of London’s criminal underworld, but Episode 7, “The Crossroads”, introduces much bigger fish to that relatively tiny pond.

If we're being frank, Your Friends & Neighbors hasn't been an especially contemplative show, which is perhaps why Episode 6 is such a standout installment.

It has taken Your Friends & Neighbors five weeks to circle back to the brutal crime scene it began with, but Episode 5 finally gets us there with a little more context.

The Studio is a show about Hollywood that clearly enjoys an impressive amount of access to its stars and executives, but it has rarely felt quite as insider-y as it does in Episode 8, aptly titled “The Golden Globes”.

Conceptually, The Walking Dead: Dead City was supposed to capitalize on the unresolved and oddly sexually charged relationship between Maggie and Negan.

I do wonder if Heavenly Ever After might be too mawkish for its own good. I continue to enjoy the K-Drama, don’t get me wrong, but in Episodes 5 & 6, I began to drift a little.