TV

Halfway between the continuation of Blue Bloods and the introduction of a completely new show, the premiere of Boston Blue has that classic “same but different” quality you probably expect from a spin-off to a beloved procedural.

The hook of Sheriff Country is that it’s about a sheriff for whom the law is the least of her problems.

There are few things more satisfying than a legal drama that lets the good guys win. In the case of The Rainmaker, I don’t use...

Alaska is full of amazing sights. Caribou roaming the tundra.

Invasion Season 3 has been all over the place, which shouldn't come as much of a surprise since the first two seasons weren't exactly coherent either.

Most people, I suspect, watch Murder in a Small Town for the murders.

Not to say I told you so, but, well, I told you so. It isn’t like Gen V Season 2 had been especially subtle about what was really going on with Cipher and Thomas Godolkin, but it’s nice that Episode 7 clarifies it – and with immediately chilling effect.

A culture is defined by the stories it tells, so I’m not sure what it has to say about our current climate that you can’t turn the TV on these days without having to endure something about influencers.

The thing about Loot, which remains as true in Season 3 as it was in the previous two, is that it’s funny enough to not really need much of a plot.

Slow Horses is a very smart show about people who're indescribably stupid or much cleverer than they look.

I was just about ready to declare Episode 5 of The Morning Show Season 4 a bit of a dud.

The worst thing that ever happened to Watson was Brilliant Minds. Both shows are similar enough that the comparisons are unavoidable; medical procedurals with a focus on very strange, often brain-related cases of the week.

DMV seems built on the question of what a single-camera workplace sitcom looks like when everyone hates the workplace.

The latest in an increasingly long list of Netflix animations adapting recognisable video game IP, Splinter Cell: Deathwatch joins stuff like Castlevania, Tekken, Onimusha, and...

Across eight episodes, Splinter Cell: Deathwatch tells the closest thing we’ve had to an original Splinter Cell story since 2013’s Splinter Cell: Blacklist. It’s appropriately on-brand in its global scope...

Splinter Cell: Deathwatch has a pretty conclusive ending, let’s be frank about that. Theoretically, there’s no need to continue it any further. The bad guys are...

Splinter Cell: Deathwatch is pretty good, and it’s also likely to annoy almost everyone who watches it. At this point, Ubisoft’s edging of long-time franchise fans...

Truth being told, I don't know what people don't like about Chad Powers. As far as comedies go, it does more or less everything right.