RoleSenior Horror Writer
LocationCoventry, Warwickshire
ExpertiseHorror, Film Festivals, Film Critiquing, Independent Movies, Rotten Tomatoes Approved
Contribution313 articles published since May 2021

Alix Turner

Alix joined Ready Steady Cut back in 2017 and has written over 300 articles for the publication. With a love for horror after attending various genre festivals, Alix quickly became an experienced film writer, joining the writing teams at websites such as Horror Obsessive, Ghouls Magazine, and Filmotomy.

It was not long before Alix deservedly became a Rotten Tomatoes-approved critic after rising through the ranks and interviewing many film professionals in the industry. Alix loves attending horror festivals and regularly visits the Mayhem Film Festival and Soho Horror Fest.

Films are Alix’s favorite hobby, and they especially enjoy sharing their perspectives and favorite movies with their teenage daughter.

Articles by Alix Turner

The Silencing review – a thriller that looks great but doesn’t thrill

August 10 2020

The Silencing opens with overhead views of beautiful mountain forests, with a river cutting through; and steadily the camera follows someone – presumably dead –...

The Dark End of the Street review – a contemplative urban drama

August 10 2020

In a world getting steadily smaller, how well do you know the people in our own street? Now that you can see your friends and...

Fish Story review – a genre-defying modern cult classic

August 9 2020

Fish Story is such a fantastic film that, to be honest, I’d rather be watching it again than writing about it. It’s about how our choices...

The Woman in Black review – a near-perfect old-fashioned ghost story

August 7 2020

Some of us can look back on growing up in the United Kingdom and remember some high-quality ghost stories on terrestrial television. I have friends...

Host review – found footage for our quarantine times

August 5 2020

OK so I’ve finally watched Host (Shudder) this evening. I had to do a little bit of cooking and washing up then, to bring me back...

Shifter review – subtle sci-fi horror that intrigues and chills

August 5 2020

It’s a rare time travel story in which everything turns out peachy. Similar to Volition and Timecrimes, Shifter is a film in which the protagonist...

Pay Dirt aka Paydirt review – tame, lame and vacuous, but someone will like it

August 3 2020

Pay Dirt (originally Paydirt) is one of those films where you might as well just watch the trailer; not because the trailer pretty much tells...

She Dies Tomorrow review – not comedy, horror, drama, sci-fi, but mesmerising

August 3 2020

In She Dies Tomorrow, “she” is Amy; and Amy is weighed down by the knowledge that she is going to die tomorrow. She hasn’t received...

Nazi Undead aka Living Space review – better than it first appears

July 31 2020

Nazi Undead (called Living Space until it reached the USA) is one of those low budget horror films which has plenty of both insults and...

Calm with Horses aka The Shadow of Violence review – bleak and powerful drama about rural life of crime

July 27 2020

I finished watching Calm with Horses (titled The Shadow of Violence for USA distribution) half an hour ago and I’ve not been able to sit...

Mara review – lands somewhere between annoying and average

July 26 2020

Sleep can be a pain at the best of times; not just now during this pandemic, when time and emotions are all messed up. Of...

Apartment 1BR review – a bloody good film (unless you are house hunting or love cats)

July 24 2020

I am so glad I didn’t watch Apartment 1BR when I was flat-hunting last year. The title 1BR refers to a one-bedroom apartment, which is all young...

The Dinner Party review – entertaining and well made, but not my taste

July 22 2020

I didn’t know what to expect when I sat down to The Dinner Party – it could have been something wordy like The Party or...

Melancholic aka Merankorikku review – endearing character-driven film about a young man who cleans up after yakuza murders

July 22 2020

Melancholic (not to be confused with Lars von Trier’s Melancholia) is an unusual film. Consequently, and unusually, I won’t be comparing it with any other...

Cruel Intentions review – sleazy nostalgia-fest

July 20 2020

Cruel Intentions is a story of betrayal, blackmail, sexual manipulation, and reluctant romance among the popular set at an exclusive New York prep school. First...

Peripheral review – more style than substance, but with a great electronic soundtrack and a satisfying ending

July 20 2020

I like a good sci-fi horror: Videodrome and Hardware were two coming-of-age films for me. So Peripheral, the latest film directed by Paul Hyett (Howl,...

Open 24 Hours review – forget the plot, the cast and tension are as strong as the violence

July 18 2020

Now this was excellent. Open 24 Hours is a modern take on the classic slasher model, written and directed by Padraig Reynolds. In my opinion,...

Dreambuilders aka Drømmebyggerne review – one for the kids to enjoy, while parents snooze

July 13 2020

Dreambuilders (originally called Drømmebyggerne in Denmark) is about Minna, a young girl who discovers how dreams come about and their influence on waking life. It...

Denmark aka One Way to Denmark review – sad and gently hopeful comic drama about changing one’s life

July 13 2020

In One Way to Denmark (also simply known as Denmark) Rafe Spall plays Herb, who has had enough of his life in small-town Wales. Most...

Ghosts of War review – very tense wartime horror, despite the clichés

July 13 2020

Ghosts of War is an uncommonly atmospheric and clever film. I watched it on the edge of my seat, while mentally just sitting back to...