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Anyone expecting any major surprises from the ending of Dexter: Resurrection is likely to leave “And Justice For All…” a little disappointed. But, based on that title...

Despite being the shortest and most contained episode of Chief of War thus far, "Day of Spilled Brains" might nonetheless be the outing that best sums up the story's essentials.

Generally speaking, I don't like Invasion very much. Never have, really. And the first two episodes of Season 3 have largely been really good examples of why.

I've never been more thankful for a flashback episode. Usually, such things are the lowest common denominator of flat-pack TV storytelling, but after whatever was going on in the previous episode, I’m just thankful for a reprieve from Boy Kavalier.

Wednesday is about werewolves and zombies and death; about Gorgons and Sirens and mad scientists. But it’s mostly about friendship and family, especially in Part...

Wednesday is pretty good at endings. It’s the done thing these days to never really end a show, but this one has always been good at...

It says a lot that even in 2025, twenty years after it first debuted, simply being a spin-off of The Office is enough to constitute...

Wednesday Season 2 peaked with its Freaky Friday body-swap episode, so it was inevitable that Episode 7, "Woe Me the Money", would feel like a bit of a step down.

The lingering questions of what Wednesday was doing with its Season 2 storylines after that midseason premiere are answered pretty much immediately in Episode 6, so don't worry about it.

There are two major selling points of "Hyde and Woe Seek", beyond the obvious fact that it's the Part 2 premiere and follows on directly from the Part 1 mid-season finale.

If The Terminal List: Dark Wolf is proving anything, it’s that joint CIA/Mossad black ops are a little bit tumultuous, which, to be fair, probably shouldn’t come...

The truth is a fluid thing, wriggly and uncertain. It’s time-sensitive, open to interpretation, and matters less than the story it’s wrapped in. When you...

I can’t think of anything worse than spending ages locked in a car with Will from Platonic, which is a bit of an obstacle since...

How long is too long? I ask because Bon Appetit, Your Majesty runs for nearly 90 minutes every episode, and it feels like the story is moving slowly to accommodate that in Episodes 3 & 4.

Twelve leaves us with a lot of questions after Episode 4. On some level, this isn’t a terrible thing, since it wouldn’t do for a show to give all of its secrets away out of the gate.

Once again I’m confronted with the possibility that Beyond the Bar might be responding to these recaps directly.

Good TV conflict always creates the impression that the villains have the upper hand, only for the heroes to rally and save the day in the end, but I do wonder if Twelve might be going a bit far with it.

It took until Episode 9, but Beyond the Bar fiddles with its structure a little bit here, splitting its time between two cases, one of which isn’t entirely resolved by the end.