Articles by Alix Turner
‘Animal World’ | Film Review
I’ve just finished watching Animal World, and my head is still spinning: damn, that was entertaining! Animal World is the story of Kai-Si (Yi Feng...
‘Overlord’ | Film Review
Overlord is a horror film set firmly in World War II, in which a group of American soldiers set out to destroy a German transmitter...
‘Parallel’ | Frightfest Film Review
In this new film from director Isaac Ezban, parallel universes exist and four friends happen upon a method of visiting them. At least they’re friends...
‘Slaughterhouse Rulez’ | Film Review
I went to see Slaughterhouse Rules – sorry, Rulez – tonight, having seen posters showing what looked like the new Simon Pegg and Nick Frost...
‘The Devil’s Doorway’ | Second Opinion
This review of The Devil’s Doorway is a second opinion. You can check out an alternate perspective by clicking these words. I feel like I...
‘The Hate U Give’ | Film Review
There is a scene in The Hate U Give when the predominantly wealthy white students at the main character’s school quit class in protest of...
‘Bohemian Rhapsody’ | Film Review
I may like electronic or industrial music now, and I may have listened to little but Paul Simon as a kid, but the music of...
‘Hell House LLC II: The Abaddon Hotel’ | Film Review
When I discovered an interest in found footage films a year or so ago, rumour told me that Stephen Cognetti’s Hell House LLC was one film...
‘1920’ | Film Review
1920 is the story of a young architect, Arjun (Rajneesh Duggal), who moves to an old stately home to measure it up and redesign it...
‘One Cut Of The Dead’ (‘Kamera o tomeru na!’) | Mayhem Film Review
When Steven Sheil and Chris Cooke introduced One Cut of the Dead as Saturday dawned at Mayhem Film Festival, they told the gathered film fans...
‘Number 37’ (‘Nommer 37’) | Mayhem Film Review
I often don’t see the point of “modern takes” on old films, especially when the film in question is a true classic: have we run out...
‘Alive.’ (2018) | Grimmfest Film Review
In case there is some risk of confusion, Alive., which had its UK premiere at Grimmfest, is not a remake of the 1993 film about...
‘Pledge’ | Grimmfest Film Review
Pledge is about a group of bright but socially awkward young men, new to their university and trying to find a fraternity which they’d feel...
‘Pengabdi Setan’ (‘Satan’s Slaves’) | Grimmfest Film Review
If you’re an ignorant Westerner like me, the title might lead you to expect a tongue-in-cheek film like Satan’s Cheerleaders, or a remake of Norman...
‘Re-Animator’ | Grimmfest Film Review
What self-respecting horror fan gets to middle age without seeing Re-Animator? This one, that’s who… well, not until this week when it was screened at...
‘Malevolent’ (2018) | Netflix Original Film Review
Malevolent is an unusual beast: it was made in the USA, filmed in Glasgow, directed by a man from Iceland; it stars just a couple...
‘Await Further Instructions’ | Grimmfest Film Review
I won’t leave this to the end, I’ll tell you now: Await Further Instructions blew me away. I knew little of what to expect, past...
The Haunting of Hill House Episode 1 Review
To lovers of the horror genre, Shirley Jackson is an American goddess, just as Edgar Allan Poe and H. P. Lovecraft are their American gods....
The Judgement Season 1 Review
On the surface, The Judgement is a teen-oriented soap opera. It is set in the university of a modern city, a university which takes pride...
‘A Simple Favor’ | Film Review
A Simple Favour is about Emily (Blake Lively) and Stephanie (Anna Kendrick): very contrasting friends who meet via their sons at the school gate. Stephanie...